Rare
Books
History
of Book Binding
The introduction of printing in the 15th
Century gave a great impetus to bookbinding. As the number of books increased,
so the occupation of printer and binder became separate. The introduction
of goldleaf from the East into Venice, the use of fine delicate tools
for impressing the gold designs, and different color leathers for onlays
and inlays on the covers, laid the foundation for the exquisite art of
decorative binding. The early 16th Century was one of the finest periods
in the history of decorative bookbinding.
Around this time, Morocco (goat) leather was first used to supplement
the previously used calf leather.
Jean Grolier commissioned many stunning bindings from the best craftsmen
at the time and was one of the first collectors to have the titles of
his books lettered on their spines. Previously, books were usually shelved
with their spines innermost and the titles lettered in ink on the fore-edges.
The French School of Binders in the 16th, 17th and 18th centuries followed
the impulse given by Grolier and was unrivalled until the end of the 18th
century. In Germany, books were usually bound in pigskin, vellum or calf.
The latter being preferred for its soft, smooth surface and its great
advantages for blind tooling.
With the exception of a few binders, notably Samuel Mearne, binder to
Charles II, who originated the cottage style of ornamentation, England
suffered a gradual decline in decorative bookbinding until the end of
the 18th century. Roger Payne restored English binding with his fine small
tools and original designs, finishing his bindings in accordance with
the character of the book.
Toward the end of the 19th century,
inspiration was led by William Morris who interested T.S. Cobden-Sanderson,
a lawyer, in changing careers and
took up binding. He set up the Doves Bindery and his most successful
pupil was Douglas Cockerell. From their lead, the modern school of
binding was
formed, and with the formation in the '50's of the Society called "The
Designer Bookbinders," the current state of the craft is very healthy.
Click here to visit
the Fine Bindings Gallery.

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